Own Art makes it easy and affordable to buy contemporary art and craft. Own Art is Creative Scotland's loan scheme. You can borrow from £100 up to £2,500 at 0% APR repayable over 10 months in equal monthly installments.

* The money can be put towards original paintings, sculpture and prints. You must be 18 years or over and be a UK resident and can apply via Gallery Heinzel, one of the network of over 300 UK galleries supporting the scheme.

*Subject to status. Terms & conditions apply.

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Carmen Ambrozevich

Since graduation from Grays School of Art, Carmen has taught printmaking widely across the North East and East Lothian. Her own work expresses a love of this environment. Using bold, flat washes of colour she builds a picture of a landscape constructed of layers of stone and sediment amassed slowly over time. Carmen has received a Scottish Arts Council Award and the Keith Prize at the Royal Scottish Academy. She is also a professional member of the Society of Scottish Artists and has received the Alexander Graham Munro Award at the Royal Scottish Society of Painters in Watercolour.

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Bryan Angus

Bryan Angus is a Gray's School of Art graduate based in Banff on the north Aberdeenshire coast. A skilled lino print maker he is particularly influenced by the 20th century Scottish and English landscape artists and the illustration traditions that preceeded them. The bulk of his work is inspired by the drama of his local land and weather, enriched by the history of the people and their towns.

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Caroline Bailey

Caroline Bailey trained as a textile designer in Manchester in the mid-seventies. The influence of her training is visible in her work today where texture and colour combinations are key components. Caroline has painted full time for many years and now lives and works on the Isle of Skye. She has been an elected member of the Royal Society of Painters in Watercolour (RSW) since 1998 winning many awards and fellowships over the years. She exhibits her work throughout the UK and her work is held in a number of private and corporate collections. Of her work she says “My work is inspired by a love of land and sea and the footprints of human activity found where they meet. Although descriptive of the places I like, my paintings are not documentary but rather concerned with shape, colour and layering of textures. I hope to express something of the feel and atmosphere that I experience there. The painting, once begun, determines its own direction and its own conclusion.”

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Rosanne Barr

Rosanne Barr graduated with First Class Honours in 2003 from Duncan of Jordanstone College of Art, Dundee and in the same year exhibited in the British Design Centre, at New Designers 2003. The following year at The Mall Galleries in London, she was one of two young Scots featured by The Society of Designer Craftsmen for 2004 and was awarded a Licentiate of Distinction. Rosanne's paintings are of a generic landscape. They look to arouse a sense of escape, which is serene, moving, and can evoke a personal memory of a place the viewer has experienced.

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Ian Bashford

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George Birrell

George Birrell is a unique literary voice in Scottish contemporary painting. After graduating from Glasgow School of Art in 1971, he spent the last four and a half decades fine-tuning a style that is both lyrical and highly technical, contributing regularly to exhibitions at home and abroad. Rooted in the landscape and buildings of East Scotland, his painting is strongly influenced by the Scottish Colourists and the black and white photography of Ansell Adams, demonstrating a pitch perfect understanding of hue, tone and design.

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Francis Boag

Francis Boag's vivid depictions of the rural hinterland and coastline of the North East have made him perhaps one of the best loved contemporary painters working in Scotland. A master of colour and form, his canvases are a beautiful balance between an intellectual interpretation of a landscape and an emotional response to it. Francis graduated from Duncan of Jordanstone College of Art, Dundee, in the late sixties and after many years in teaching, now paints full-time near the coastal village of Stonehaven. His work appears in private and public collections the world over.

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Kim Bramley

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Kim Bramley

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Kathleen Bremner

Kathleen studied at Grays School of Art and taught until retirement in 1991. Throughout her career she continued to paint and exhibit, developing a free and expressive style. Although her preferred medium is watercolour, she has had much success in recent years in acrylics, painting unique and delicate interpretations of Aberdeen's vibrant city and surrounding landscape.

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Helen Bruce

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Stuart Buchanan

Stuart attended Glasgow School of Art in the late 80s, pursuing a career in framing and painting after graduation. Whilst living in Glasgow he and his wife set up the Mansfield Park Gallery in the city West End, a base from which Stuart also developed a following for his symbolic and thought-provoking canvases. After establishing a successful business, the couple took a life changing decision to move to Catterline south of Stonehaven in 2006. Stuart now lives and works in the village, painting from the Watch House studio.

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Patricia Cain

Born in Newcastle and raised in the Lake District Patricia's paintings are a response to her immediate environment and the impact that has on her sense of identity. Increasingly her work reflects the urban environment of Glasgow where she now lives and works. Patricia's route to artistic practice was a circuitous one, abandoning illustration at St Martins in London to train as a lawyer. Having qualified she worked for eight years before moving to Glasgow and qualifying in Scottish law. In 2004 she began work on an interdisciplinary research PhD at the Glasgow School of Art. Since then she has won innumerable prizes, awards and residencies and has had solo exhibitions at a number of public galleries.

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Grace Cameron

Born in 1961 Grace worked at a variety of jobs, including 15 years as a nurse, before turning her attention to art. She studied at Duncan of Jordanstone College of Art & Design, Dundee, graduating in 2000 in Fine Art Printmaking. Following graduation she was involved with a number of art projects and workshops with adults and also three years spent working with children with special needs. In 2008 Grace made the decision to paint full time. She now works predominantly in acrylics and is inspired by the Scottish landscape.

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Catriona Campbell

Catriona Campbell's artistic education began in infancy, as she puts it "I was taught by a man, who was taught by a man, who was taught by Manet! He was my father Ian Campbell and he taught me to observe". Her instruction continued under David Donaldson at Glasgow School of Art, from whom she acquired a delight in the qualities of paint and "an ambition to make it sing". Since graduation in the late 60's Catriona has delighted many with her paintings of people and animals and the way they interact. "I like the shapes and colours they make and the way they behave with one another. I like the spaces in between them and the possibilities of what might happen in those negative spaces. So I paint them."

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Lois Carson

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Pam Carter 2020

Shortly after graduation from Glasgow School of Art, Tanzanian born artist Pam Carter travelled to the Seychelles to teach, it didn't take long before she realised the direction her painting was going to take. Excited by the vibrant hues of blues and greens of the Indian Ocean, Pam knew that from now on her paintings would express the relationship between colour and light. Since then she has lived and worked in Scotland drawing on the isolated beauty of its outer islands for inspiration.

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Sam Cartman

Sam Cartman lives and works in Dumfries & Galloway. Originally from Shropshire, he completed a Fine Art Degree in Carlisle before moving to Glasgow for eight years. His paintings are a response to being in the landscape: they are shaped by the experience of being in a certain place at a certain time and the memory of this. These experiences are the basis for his involvement with the paint, and from then on, his interaction with the paint takes over. The process allows him to show in painting, something of the place he is in or has been in. There is a poetic sparseness to Cartman's paintings of wide open spaces, in the skies or the sculpted buildings which look as if they have been there for all time. (Jan Patience, The Glasgow Herald)

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Malcolm Cheape

Malcolm Cheape graduated form Duncan of Jordanstone College of Art, Dundee in 1987 and he has worked widely as a full-time artist in Scotland and London ever since. His subject matter is drawn almost exclusively from the sea and his work heavily supported by research. His distinctive style combines paint, ink, pencil marks, paper and tape to create detailed, multi-layered pieces that are held in many private and public collections at home and overseas.

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Kirstie Cohen

Since graduating from Glasgow School of Art in 1988, Kirstie Cohen has built up a strong fan-base with her powerful landscapes. In paintings reminiscent of the great Romantic tradition she depicts the drama of a mountain range or seascape in a way that feels real and specific yet also a product entirely of the imagination; a non-existent place. Kirstie lives and works in Invernesshire (check) exhibiting widely throughout Scotland and England. She has won many awards including the Nancy Graham Memorial Prize and the prestigious Hospitalfield Scholarship.

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Rowena Comrie

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Wenna Crockatt

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Deborah Cruden

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Lisette Degioanni

Lisette graduated in 2007 with a BA (Hons) Fine Art from Gray’s School of Art, Aberdeen. She originally studied history of art at Kingston University, London and trained as a ceramic artist before raising her family. It was her return to full-time education at Gray’s which enabled her to explore through her work the constraints women often face not being able to do what they want in life, not being able to put themselves first and being caught up in the ‘machinery of life’. Since studying at Gray’s Lisette has won the prestigious David Gordon Memorial Trust Award from the Royal Scottish Academy (RSA),s as well as being awarded the John Kinross Scholarship (also by the RSA) which enabled her to travel to Florence to experience the city’s classical art and architecture. Lisette lives and works in Banchory, Kincardineshire.

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Helen Denerley

My sculptures are made from scrap metal using relics of the horse-drawn day of agriculture, alongside discarded modern machinery. Some of the parts have been made by blacksmiths and used to farm the land until they are worn out. In Strathdon I am surrounded by life, people, plants animals and birds all living within the cycle of the changing seasons. This combination of material and subject becomes my sculpture, breathing new life into old metal.

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Esther Donaldson

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Leo du Feu

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Wilma Dunbar

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Peter Dworok

Peter Dworok was born in Nottingham and studied art firstly at Nottingham College of Art and Design and then at Leeds Polytechnic Faculty of Art and Design. After leaving college Peter lived and worked on the Isle of Skye and later Edinburgh where he exhibited his work widely. On moving back to Nottinghamshire, Peter was employed by Nottinghamshire County Council helping to establish Rufford Craft Centre as a centre for excellence in the applied arts. Over twenty five years later, Peter retired from his role at Rufford and now concentrates on his own painting practice in the beautiful Minster town of Southwell.

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Sandra Emslie

Sandra lives and works in rural Aberdeenshire capturing the changing colours of the surrounding countryside. Her \'patchwork\' interpretations of the landscape are uniquely her own.

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Margaret Evans

A graduate of Glasgow School of Art in 1974, Margaret combines teaching and painting in her career, travelling extensively throughout America and Europe. Her experiences abroad are reflected in her Scottish landscapes, as she says "Painting is not about copying but exaggerating it's line, composition and colours. My teaching takes me all over the world, which has broadened my perspective on landscapes, but also makes me appreciate my own country and what scope Scotland has to offer in subject matter for artists." Renowned for her pastel painting, Margaret is a member of the Portrait Society of America, featuring regularly in the International Artist magazine.

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Helen Glassford

Helen was born in Lancaster in England and completed a foundation course before studying Fine Art at Duncan of Jordanstone College of Art & Design, Dundee. She went on to complete a Masters of Fine Art Degree at the college graduating in 2002. Helen's been awarded numerous prizes and awards by the Scottish societies including the RGI and RSA. She was runner up in the inaugural Jolomo Painting Prize in 2007.

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John Glynn

Born in Plymouth in 1964, John was interested in painting and drawing since childhood. His ambition to be an artist was thwarted by the tragic death of his father when he was thirteen. John turned down a place at Plymouth School of Art choosing instead to go out to work to contribute to the family finances. He kept painting and drawing in his spare time producing abstract and surreal work which was exhibited in the Plymouth area and with which he had some success. For some years he designed sea life artwork that was reproduced in print. This gave him the confidence (and income) to risk painting full time. He moved to Banff in Scotland in 2007 where the peace and serenity of the coastal villages inspired him to produce seemingly simple line drawings of the houses and harbours. These drawings have become his signature style and are exhibited in galleries across Scotland.

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Peter Goodfellow

Born in Middlesbrough Peter attended grammar school before completing a foundation course at Middlesbrough College of Art. He went on to study at the Central School of Art, London from 1968-71. His work is represented in galleries across Scotland and the UK and has been exhibited in Ireland and Germany as well. His self portrait 'All Dressed up for Mam and Dad' has been exhibited at the National Portrait Gallery in London and at the National Portrait Gallery in Edinburgh. He now lives and works in Strathdon in Aberdeenshire where he runs The Lost Gallery with his wife Jean.

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Alan Hayman

Alan Hayman is a self taught artist born and reared in Montrose, Angus. He drew continuously throughout his life. Through observation of the world around him, and experimentation with different media and techniques, he developed his own recognizable style. He now lives and works from his studio in Drimnin in Argyll where he continues to be inspired by the natural world around him.

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Phillipa Headley

Born and raised in South Africa, Phillipa studied photography at university and has won a number of prestigous awards for her work. She studied Design and Applied Arts at Edinburgh College of Art spending a year in the United States on an exchange programme. She went on to complete her Masters at Edinburgh graduating in 2008 and was awarded the role of Artist in Residence at the College from 2008 to 2010. She has worked as an independent artist since then and is represented by a number of galleries.

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Steven Higginson

Steven was born in Dumfries, Scotland, in 1982. Growing up, Steven often sketched the iconic images from album covers and music books and these influences have stayed with him and can be seen in the use of pop photography in his contemporary still lifes. Having won various national competitions and prizes for his work, Steven followed his inevitable path in art, choosing to study at Duncan of Jordanstone College of Art and Design, Dundee in part due to the art school's traditional approach to teaching painting. He was awarded The Aiden Threlfall Traveling Scholarship from the Goldsmith's Company in London in 2004, the year he graduated. He used the scholarship to spend time in Paris, Venice, Rome and Madrid studying works of the old masters, namely Velazquez, Caravaggio and Manet. This trip proved very influential as these artists' chiaroscuro style can still be seen in his work today. He has been painting full-time since 2005, and has had work accepted at the RGI and Aberdeen Artists Society annual shows.

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Jonathan Hood

Born 1957 in Edinburgh, Jonathan was educated in Fife and Angus and attended Duncan of Jordanstone College of Arts from 1976 to 1979 going on to study drawing at the Ecole des Beaux Arts, Paris in 1979. He became a full-time artist in 1989 and has exhibited widely throughout Scotland including the Aberdeen Artists' Society and Royal Scottish Academy. His work is held in private collections throughout the world.

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Catherine Imhof-Cardinal

Catherine Imhof-Cardinal is a Swiss-French artist living near Aberdeen in Scotland. She began her career in Aix-en-Provence. Catherine's work is informed by a strongly developed sense of colour, often in daring and unusual composition of a figurative or semi-abstract nature. Her approach to composition is without preconception; each work gradually emerges from a series of lines thrown onto the sheet, the subject and composition suggesting themselves through the work process. In this way, impressions gathered on travels and from life in general re-emerge in the paintings, not as factual representations but as images imbued with the feeling of places and events.

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Frances Innes

Frances trained at Gray's School of Art and now lives and works near Peterhead in the North East of Scotland. The coastline is a favoured subject.

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Rodger Insh

Rodger graduated from Duncan of Jordanstone College of Art & Design in 1971. An award-winning painter, Rodger creates intricately structured compositions using the medium of gouache. Through his paintings, he invites us to share his unique personal response to the grandeur, intimacy and ephemeral nature of the majestic Scottish landscape.

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Anita Inverarity

Local artist Anita Inverarity trained as a graphic designer at Aberdeen College and it was here with support from her tutors that her apptitude for illustration was recognised and encouraged. Her unique style of intricate pen and ink work developed during this time which she used to illustrate children's books. Inspiration for her work comes from many sources - the wildlife around Deeside as well as folklore and Scottish fairytales.

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Elin Isaksson

Elin's glass making career began in her native Sweden, a country famed for its studio glass tradition. She attended the Orrefors Glass School from 1998-2000 and moved to Scotland in 2001 to study for a BA in Architectural Glass at the Edinburgh College of Art graduating in 2004. She went on to attain a Masters in Design from the College in 2005. She has worked and trained at glass studios in Scotland, Denmark, Sweden, Italy and India and has won many scholarships and awards for her work. In 2009 she set up her own glass studio and gallery drawing inspiration for her work from her travels and the intrigue of the play of light on the colours and textures of nature. Elin is based in Stirling where she creates her glass work and runs glass blowing courses open to the public.

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David Johnston

David Johnston is a landscape artist based in the Mearns in the North East of Scotland. A retired teacher, he is a self taught. In 2017 he was elected a member of the Royal Society of Painters in Watercolour. He teaches others to paint hosting workshops and courses.He works almost exclusively in watercolour and, following in a tradition of Scottish landscape painting, he paints on the spot whenever possible. He enjoys working from nature and does this directly in paint, as well as using a sketchbook backed up by digital photography for reference. Using this arsenal he sometimes finishes work in the studio.His work is exhibited widely across the north east of Scotland and further afield in Glasgow and London. It forms part of the collection of the Royal Bank of Scotland and Aberdeenshire Council.

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Kittie Jones

Born in Cumbria, Kittie moved to Edinburgh to study at Leith School of Art and went on to study Fine Art at Edinburgh University and Edinburgh College of Art graduating with an MA in 2008. She now works as a tutor at Leith School of Art whilst continuing to produce her own work for national exhibitions from her studio at Coburg House in Leith.

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Ian Kinnear

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Fi Knox

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Lindsey Lavender

Lindsey is a trained architect and for many years painted in her spare time whilst pursuing her professional career. In recent years she has focussed on creating and exhibiting her artwork, whilst continuing her artistic development part-time at Edinburgh College of Art. Lindsey's art encompasses drawing, painting, printing, collage and textiles. Recently painting has been the predominant part of her practice. Through her work, she examines natural and built environments, seeking simple observations that are often overlooked. She is fascinated by and intrigued with the everyday. The work has been described as having a sense of melancholy calm that draws the viewer in. It explores, often through a restricted palette, the juxtaposition of manmade and natural as well as rhythm, and the play of light and shade, often on the seemingly ordinary. Lindsey's first exhibition piece 'Forest Series - Untitled' was awarded the ‘Connell & Connell Prize’ at the SSA Open Exhibition 2013. Lindsey is a member of the SSA (Society of Scottish Artists), VAS (Visual Arts Scotland) and AIR (Artists Interaction and Representation)

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Jennifer Mackenzie

"I enjoy exploring colour and the tactile qualities of paint mainly through still life." Jennifer Mackenzie graduated from Glasgow School of Art in late 1971. Studying under tutors such as David Donaldson and Sandy Goudie her work reflects the Scottish painterly tradition prevalent at the time. Jennifer's rich, exuberant canvases are appreciated throughout Scotland. She took time out from her career to bring up her family and for some years taught at schools in Lanarkshire, Inverness and latterly Sutherland. Her studio is based there in Golspie where she lives and works.

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Gordon Mackie

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Charles MacQueen

“Every painting I do is related to the last one. It may be a continuation of the last one or a reaction to it. When I grow tired of harmony I long for discord. Colour and surface texture are very important elements in my painting.” Charles MacQueen doesn’t just seek to present us with an image, he seeks to present us with an experience. Influenced by the American philosopher John Dewey, he believes that paintings are like mirrors; not only do they help us to appreciate pattern, shape, form, line and colour they also help us to see ourselves. For Charles the role of the artist is to create these ‘magic mirrors’ with his trips to Morocco and Tunisia providing the high contrast visual references around which the work is formed.

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Robert McAulay

Born on the south side of Glasgow in 1961, Robert trained as an upholsterer before attending art college in the mid 1980's. Since then he has gained recognition for his mixed media works depicting enigmatic scenes often at the edges of human inhabitation. "Many of my paintings are full of symbols or images relating to events, thoughts, ideas from my life, but I am not going to bore the viewer with such details. The viewer will bring all of their own memories with them, and will either connect in some way with what they see or they will not. I like mystery, I do not want everything explained to me, I like to discover for myself."

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Lesley D McKenzie

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Phil McLoughlin

Phil McLoughlin was born Phil Barker in Dunfermline in 1946. He worked as a foundry labourer, railway porter and jute millworker and psychiatric nurse between 1964 and 1975. Despite no formal training in art his work was exhibited as part of the Scottish Young Contemporaries in 1968. Around this time he was awarded a prize by the RSA and set up an artists collective in Dundee. In 1978 he gave up art to train as a psychotherapist going on to pursue an academic career. He was awarded a doctorate in Philosophy in 1985 and went on to work in universities in England, Australia, Japan and Ireland as a professor, psychotherapist and author. He returned to painting in 2007 as 'Phil McLoughlin' to much acclaim. He was elected a professional member of the Society of Scottish Artists in 2012.

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Catriona Millar

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Aiden Milligan

Aiden Milligan graduated from Gray’s School of Art with a Masters in Fine Art in 2018. At his bachelors degree show a year earlier he was awarded the BP Fine Art Award and The Wood Group Purchase Prize. He has won additional prizes at the Royal Scottish Academy Open Exhibition and a residency in 2019 at Dumfries House awarded by the Royal Drawing School. Since graduating he has show in prestigious galleries in London, Copenhagen, Aberdeen and Glasgow.

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Liz Milne

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John Paul Raine

John Paul Raine attended Leeds School of Art for one year in 1967. He then worked freelance as an illustrator for several years, returning to painting in 1985 when he enrolled at Gray's School of Art in Aberdeen. After graduating he worked for two years as a lecturer in painting and drawing at Aberdeen College, and then for one year on an ad hoc basis teaching life drawing at Gray's School of Art

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Maralyn Reed-Wood II

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Bronwen Sleigh

Bronwen Sleigh is a multi-disciplinary artist who takes inspiration from industrial architecture, unused and forgotten urban spaces, and environments at the edge of the city. Born in 1980 and raised in Mid-Wales, Bronwen received her BA from the Glasgow School of Art and MA from the Royal College of Art, where she was selected for a six week exchange to The University of Calgary, Canada. She has also worked for several prestigious arts organisations including the The Royal College of Art, The Royal Academy Schools as a Print Fellow and at Edinburgh Printmakers as their etching technician and collaborating printer. The artist has exhibited widely both in the UK and overseas. Her work is held in numerous collections around the world. Bronwen lives and works in Glasgow.

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David Smith

Born in 1957, David Smith is a Scottish contemporary landscape artist. The palette and inspiration for his work is taken from the seaboard and landscape of Scotland. Although predominantly a self-taught artist, he has studied at various colleges including the Glasgow Print Studio, Glasgow College of Building and Printing, Glasgow School of Art and Latrobe University, Melbourne, Australia. A past member and president of the Glasgow Group of Artists, he was elected member of the Royal Scottish Society of Painters in Watercolour (RSW) in 2011. He was elected member of RSW council in 2013. Smith has shown at the Royal Glasgow Institute (RGI), Royal Scottish Academy (RSA), Paisley Art Institute (PAI) and RSW annual exhibitions and has won various prestigious awards.

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Calum Stevenson

Calum Stevenson is a Scottish painter attending Glasgow School of Art studying for a Masters Degree in Painting. Calum graduated from Duncan of Jordanstone College of Art and Design in 2019. His work is primarily inspired by his surroundings and experiences growing up in and around the area of Cumbernauld. Artist’s statement “Being in Cumbernauld throughout my life I have admired the grim beauty of brutalist architecture. When I was a child, I became unwell on a family holiday that left me hooked up to an IV line in a foreign hospital. It is since that experience that I have been fascinated by my fear of medical practice that has become more of a phobic obsession. I combine my medical memories with childhood surroundings as I look back on the place that I have a strong yet unappreciated connection with. My works often result in an almost dream-like environment that plays on Cumbernauld’s original aim to be the city of the future.”

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Mairi Stewart

Born and educated in Scotland, Mairi Stewart studied Drawing and Painting at Edinburgh College of Art, graduating in 1977. She obtained a Diploma in Secondary Teaching, continuing to paint and exhibit throughout her teaching career. She is now a professional artist, working from her Edinburgh studio and exhibiting regularly in galleries throughout the UK. Her colourful still life paintings explore the relationship that selected objects have with memory. The work is not a literal portrayal and the essence of the work is simplicity. A flattened perspective and a bold use of colour help to heighten the contemporary vision.

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Aubin Stewart

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Fiona Sturrock

Working mainly in acrylics, Fiona has an interest in the old and new, the past and the present, and how these function together within the same space. She is drawn to objects with a history and a story. Old vases and jugs hold the vibrant newness and natural simplicity of the flowers that she favours in her paintings. Fiona paints from a mixture of life scenes, photographs and her imagination. She is influenced by the works of the Colourists and Impressionists, and is hugely inspired by the wealth and richness of contemporary Scottish art. Fiona's work is exhibited by a number of Scottish galleries and is held in private collections in the UK and overseas.

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Tricia Thom

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Fiona Thomson

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Marion Thomson

Marion Thomson was born in 1958 and studied at Glasgow School of Art from 1976 - 78, and then at Glasgow University where she was awarded an M.A. in History of Fine Art, Drama, Film and Television. From 1981- 99 Marion worked as a Costume Designer in theatre, film and television while continuing to paint. Inspired by the Scottish landscape she says, "For as long as I can remember, the Outer Hebrides and the western seaboard of Scotland have been a source of inspiration and delight to me. The unique qualities of that landscape - its remoteness, its sense of rugged endurance contrasted with the delicacy of certain shorelines, the physical isolation of the people and their homes - all create a powerful drama that draws me back again and again."

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Kitty Watt

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Jenny Watt-Colbeck

Jenny lives and works in rural Aberdeenshire where she combines parenting with painting. She has a very distinct style which she used to depict what she observes around her.

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Ann Wegmuller

Born in Gourock in Scotland, Ann lived in Zurich, Switzerland for over ten years before returning to live in Perthshire. She attended Duncan of Jordanstone College of Art and Design, Dundee graduating in 1985. She is an elected member of the Royal Society of Painters in Watercolour, the Royal Watercolour Society and Aberdeen Artists Society. She has won many prestigous awards and her work is held in a number of corporate collections as well as private collections worldwide.

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Allison Weightman

Allison lives and works in a remote cottage in the highlands where for many years she developed her own style and techniques for building and firing clay. When her youngest son reached school age she decided to attend university studying ceramics at Edinburgh College of Art. For four years she combined studying full-time in the capital with family life in the highlands. Allison works in clay, firing at different temperatures to create pieces of raku, porcelain and stoneware ceramics. Her kilns are fired by bottle gas which is transported by boat across a loch to her home. Her work is both physically and technically challenging - the remoteness of her studio adds to the difficulty.

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Gordon Wilson

Gordon Wilson is one of Scotland’s most exciting contemporary artists. He was born in 1968 and grew up in Glasgow where he is now based. He studied at The Glasgow School of Art and has worked in the art industry for many years as a designer, picture framer and artist. Gordon’s subject matter ranges from quirky portraiture to emotive land and seascapes, his deep love of the west coast of Scotland shines through in his evocative work. Gordon paints from the heart, his expressive oil paintings reflect the ever changing moods of both the countryside and the artist himself. Today his work can be found in both corporate and private collections throughout the world. He exhibits in leading art galleries throughout the UK and has participated in several solo exhibitions and numerous group exhibitions including The Royal Glasgow Institute and The Paisley Arts Institute .

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Christine Woodside

Christine was born in Aberdeen in 1946 and studied at Gray's School of Art, Aberdeen in the early sixties. Originally a watercolourist, Christine expanded her palette to include acrylics. She usually begins a work by altering the structural surface which she is to paint by using hand made paper. She builds up areas using PVA which can then be scored into and painted over. Christine draws with her brush and achieves her powerful colours with acrylic inks combined with washes of watercolour.

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Georgie Young

Georgie Young is a graduate of Glasgow School of Art and paints mainly contemporary Scottish landscapes. Her work aims to evoke a feeling and capture a sense of place, an atmosphere or an unexpected detail rather than reproduce a direct likeness. The paintings are a product of observation, interpretation and improvisation; the original observation is processed, re-examined and the essence abstracted. Her work is an attempt to reveal the unexpected beauty of unremarked places, the interplay of light, time, weather and season on everyday landscape, and the presence and influence of the human on the physical environment.

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    • Bryan Angus

    • Norwegian January

    • Lino print

    • 50 x 30 cm

    • £400

    • £40.00 per month

    • Bryan Angus

    • Unlocked

    • Colour reduction lino print

    • 20 x 40 cm

    • £400

    • £40.00 per month

    • Bryan Angus

    • Alvah Snow

    • Colour reduction lino print

    • 30 x 20 cm

    • £260

    • £26.00 per month

    • Bryan Angus

    • Staged

    • Colour reduction lino print

    • 20 x 20 cm

    • £190

    • £19.00 per month

    • Caroline Bailey RSW

    • Fishing Harbour, Stornoway

    • Mixed media

    • 75 x 75 cm

    • £3,500

    • £250.00 pm + deposit

    • Rosanne Barr

    • On the Shores of the East Coast

    • Oil

    • 50 x 60 cm

    • £1,200

    • £120.00 per month

    • Ian Bashford

    • Rock Pools, Gardenstown

    • Acrylic

    • 45 x 45 cm

    • £1,200

    • £120.00 per month

    • Ian Bashford

    • Yellow Boat, Stonehaven

    • Acrylic

    • 27 x 27 cm

    • £460

    • £46.00 per month

    • George Birrell

    • Lobster Pots and Zulu

    • Oil on linen

    • 30 x 30 cm

    • £2,750

    • £250.00 pm + deposit

    • Francis Boag

    • Ury House Remembered

    • Acrylic

    • 30 x 90 cm

    • £4,000

    • £250.00 pm + deposit

    • Francis Boag

    • Spring Snows, Craigievar

    • Acrylic

    • 30 x 30 cm

    • £1,500

    • £150.00 per month

    • Kim Bramley

    • Autumn Coast 20.66

    • Kiln formed glass

    • 0 x 0 cm

    • £255

    • £25.50 per month

    • Kim Bramley

    • Serene Evening (27) 20.42

    • Klln formed glass

    • 27 x 27 cm

    • £200

    • £20.00 per month

    • Kim Bramley

    • Abstract Beach Autumn (21) 20.64

    • Klln formed glass

    • 21 x 21 cm

    • £165

    • £16.50 per month

    • Kim Bramley

    • Abstract Beach Summer (21) 20.63

    • Klln formed glass

    • 21 x 21 cm

    • £165

    • £16.50 per month

    • Kim Bramley

    • Tapestry Land Plate (15) 20.59

    • Klln formed glass

    • 15 x 15 cm

    • £35

    •  
    • Kim Bramley

    • Tapestry Land Plate (15) 20.60

    • Klln formed glass

    • 15 x 15 cm

    • £35

    •  
    • Kim Bramley

    • Tapestry Land Plate (15) 20.61

    • Klln formed glass

    • 15 x 15 cm

    • £35

    •  
    • Kim Bramley

    • Tapestry Land Plate (15) 20.62

    • Klln formed glass

    • 15 x 15 cm

    • £35

    •  
    • Kathleen Bremner

    • Gin Stall Queue, Thistle Street

    • Acrylic on paper

    • 30 x 30 cm

    • £430

    • £43.00 per month

    • Helen Bruce

    • Where Eilidh Ran, Badachro

    • Oil on canvas

    • 35 x 45 cm

    • £475

    • £47.50 per month

    • Stuart Buchanan

    • Catterline, Early October

    • Oil on board

    • 70 x 90 cm

    • £2,950

    • £250.00 pm + deposit

    • Grace Cameron

    • Angels Dance at the Sisters

    • Acrylic on canvas

    • 50 x 50 cm

    • £675

    • £67.50 per month

    • Grace Cameron

    • Aurora Surrounds Schiehallion

    • Acrylic on canvas

    • 50 x 50 cm

    • £675

    • £67.50 per month

    • Grace Cameron

    • Heavenly Light over Loch Linneh

    • Acrylic on canvas

    • 30 x 60 cm

    • £495

    • £49.50 per month

    • Lois Carson

    • Bee Bowl (Three Bees) 20.34

    • Hand painted Stoneware

    • 7 x 22 cm

    • £55

    •  
    • Lois Carson

    • Bee Trinket Dish - (Medium) 20.33

    • Hand painted Stoneware

    • x 14 cm

    • £20

    •  
    • Lois Carson

    • Bee Trinket Dish (S) 20.35

    • Hand painted Stoneware

    • 3 x 8 cm

    • £15

    •  
    • Sam Cartman

    • Galloway Forest

    • Oil on board

    • 60 x 75 cm

    • £2,400

    • £240.00 per month

    • Sam Cartman

    • Murray's House

    • Oil on board

    • 30 x 40 cm

    • £950

    • £95.00 per month

    • Leo du Feu

    • Island Archway

    • Watercolour

    • 20 x 30 cm

    • £500

    • £50.00 per month

    • Leo du Feu

    • Ancient Oak

    • Oil on board

    • 20 x 25 cm

    • £475

    • £47.50 per month

    • Leo du Feu

    • Sea Arch, Lady's Bed

    • Ink

    • 35 x 15 cm

    • £375

    • £37.50 per month

    • Peter Dworok

    • Glen Brittle, Isle of Skye

    • Oil on canvas

    • 20 x 60 cm

    • £550

    • £55.00 per month

    • Peter Dworok

    • Loch Bracadale, Isle of Skye

    • Oil on board

    • 35 x 35 cm

    • £550

    • £55.00 per month

    • Peter Dworok

    • Loch Bracadale, Isle of Skye

    • Oil on board

    • 30 x 30 cm

    • £475

    • £47.50 per month

    • Peter Dworok

    • River Hamra, Isle of Skye

    • Oil on board

    • 30 x 30 cm

    • £475

    • £47.50 per month

    • Peter Dworok

    • Waternish, Isle of Skye

    • Oil on board

    • 30 x 30 cm

    • £475

    • £47.50 per month

    • Peter Dworok

    • Loch Bracadale I, Storm

    • Oil on board

    • 20 x 25 cm

    • £365

    • £36.50 per month

    • Peter Dworok

    • Loch Bracadale II, Storm

    • Oil on board

    • 20 x 25 cm

    • £365

    • £36.50 per month

    • Peter Dworok

    • Loch Bracadale, Approaching Storm

    • Oil on board

    • 20 x 25 cm

    • £365

    • £36.50 per month

    • Margaret Evans

    • Skye Showers by Evening

    • Gouache & pastel

    • 90 x 90 cm

    • £2,250

    • £225.00 per month

    • Margaret Evans

    • Sunshine Glen, Mull

    • Gouache & pastel

    • 70 x 70 cm

    • £1,995

    • £199.50 per month

    • John Glynn

    • Little Yellow Shed

    • Ink on paper

    • 35 x 45 cm

    • £300

    • £30.00 per month

    • Alan Hayman

    • Near Arisaig

    • Acrylic on board

    • 35 x 50 cm

    • £1,900

    • £190.00 per month

    • Alan Hayman

    • Achmelvich Beach

    • Acrylic on board

    • 30 x 60 cm

    • £1,500

    • £150.00 per month

    • Phillipa Headley

    • Absolution II (Orange)

    • Blown and cold worked glass

    • 27 x 40 cm

    • £250

    • £25.00 per month

    • Rodger Insh

    • Suilven to Stac Polly

    • Gouache

    • 40 x 70 cm

    • £1,650

    • £165.00 per month

    • David Johnston RSW

    • Clearing from the West

    • Watercolour

    • 30 x 70 cm

    • £1,250

    • £125.00 per month

    • David Johnston RSW

    • Mearn's Field Edge, Early Autumn

    • Watercolour

    • 15 x 20 cm

    • £475

    • £47.50 per month

    • Kittie Jones

    • Juvenile Sparrowhawk in the Woods

    • Monotype

    • 40 x 60 cm

    • £750

    • £75.00 per month

    • Kittie Jones

    • Mute Swans, Duddingstone Loch

    • Mixed media

    • 45 x 60 cm

    • £695

    • £69.50 per month

    • Ian Kinnear

    • Arrangement with Violin

    • Acrylic on paper

    • 90 x 70 cm

    • £850

    • £85.00 per month

    • Ian Kinnear

    • Track in Autumn

    • Acrylic on paper

    • 70 x 80 cm

    • £800

    • £80.00 per month

    • Fi Knox

    • Hunting at Dusk

    • Water colour on paper

    • 25 x 40 cm

    • £120

    • £12.00 per month

    • Fi Knox

    • Winter

    • Mixed media

    • 25 x 40 cm

    • £120

    • £12.00 per month

    • Gordon Mackie

    • Blazing Sky - Cullen Bay

    • Oil on canvas

    • 50 x 50 cm

    • £600

    • £60.00 per month

    • Liz Milne

    • Harvest Moon

    • Oil on board

    • 45 x 60 cm

    • £595

    • £59.50 per month

    • Liz Milne

    • Hidden Kingdom

    • Oil on board

    • 40 x 60 cm

    • £565

    • £56.50 per month

    • Liz Milne

    • The Golden Road

    • Decoupage under glass

    • 30 x 30 cm

    • £125

    • £12.50 per month

    • Bronwen Sleigh

    • Revelstoke Dam III

    • Mixed media drawings

    • 25 x 25 cm

    • £950

    • £95.00 per month

    • David Smith RSW

    • Five Mackerel

    • Oil on linen

    • 50 x 50 cm

    • £2,400

    • £240.00 per month

    • David Smith RSW

    • Four Mackerel

    • Oil on linen

    • 50 x 50 cm

    • £2,400

    • £240.00 per month

    • Calum Stevenson

    • Fun in the Streets

    • Oil & acrylic on canvas

    • 150 x 115 cm

    • £3,900

    • £250.00 pm + deposit

    • Tricia Thom

    • Oblong Teapot with Bronze Stripe

    • Porcelain with bronze splash glaze

    • 0 x 0 cm

    • £250

    • £25.00 per month

    • Fiona Thomson

    • In the Straw, Baby Donkey

    • Oil on board

    • 30 x 20 cm

    • £350

    • £35.00 per month

    • Marion Thomson

    • The Path to the Shore, Northton Harris

    • Oil on canvas

    • 45 x 60 cm

    • £1,250

    • £125.00 per month

    • Kitty Watt

    • Feathers

    • Mono & etching

    • 20 x 20 cm

    • £240

    • £24.00 per month

    • Kitty Watt

    • Red Stones, Brodgar

    • Etching

    • 17 x 17 cm

    • £220

    • £22.00 per month

    • Kitty Watt

    • Canisbay to the Firth

    • Etching

    • 30 x 10 cm

    • £190

    • £19.00 per month

    • Kitty Watt

    • Silent Stones, Brodgar

    • Etching

    • 30 x 10 cm

    • £185

    • £18.50 per month

    • Kitty Watt

    • Northern Sky, Brodgar

    • Etching

    • 17 x 10 cm

    • £120

    • £12.00 per month

    • Ann Wegmuller RSW RWS

    • Last of the Snow

    • Oil on canvas

    • 80 x 100 cm

    • £3,400

    • £250.00 pm + deposit

    • Ann Wegmuller RSW RWS

    • Hedgerow Walk I

    • Oil on panel

    • 40 x 40 cm

    • £1,450

    • £145.00 per month

    • Ann Wegmuller RSW RWS

    • Hedgerow Walk IV

    • Oil on panel

    • 40 x 40 cm

    • £1,450

    • £145.00 per month